Towards Disappearance, II is a cloud of blues, yellows, and reds, and of red’s variants in oranges and pinks.
As a rectangular plane to be viewed from the front, Sky Cathedral has the pictorial quality of a painting—perhaps one of the preceding decade’s Abstract Expressionist canvases, which share its mural scale.
This painting consists of two identical vertical sets of concentric, inverted U-shapes. Each half contains twelve stripes of black enamel paint that seem to radiate from the single vertical unpainted line at their center
At first glance this painting presents a flat black surface. But longer viewing reveals more than one shade of black and an underlying geometric structure. Reinhardt has divided the canvas into a three-by-three grid of squares. The black in each corner square has a reddish tone; the shape
This work belongs to a group of abstractions inspired by the landscape. In them de Kooning simplified his visual vocabulary to a few powerful, expansive brushstrokes that evoke the vistas of color found in the natural world.